Thorsten Knublach sent us this information that reveals some new information about the Tony Sheridan sessions. It may also indicate Pete Best is owed some money. (Graphics provided courtesy Thorsten Knublach.)
- It clearly shows that The Beatles were regarded as, and paid as sessions musicians for these recordings.
- We learn for the first time about the amount of money the Beatles received for those recordings – DM 175 in total per person. In the books so far, a total of DM 300 was only ever mentioned, and no source was ever citied.
- There are only five songs mentioned! “Nobody’s Child” and “Take Out Some Insurance On Me, Baby” are missing.
The period between April 1st and June 30th 1961 mentioned in the receipt is almost identical with the engagement at the Top Ten Club Hamburg (lasting until July 1st) but does not make sense what the starting date is concerned. They did not meet Kaempfert before early May 1961!
OK – no one doubts that the Beatles played on those undocumented tracks. Nor do I, as there was no other recording session with Tony Sheridan in Hamburg at the time, apart from the “My Bonnie” album session in December 1961. Those sessions were done with different musicians in a different studio, and the overall sound and playing appears to be different compared to the sessions with the Beatles.
- Secondly, those songs were missing in the receipt.
- And there is a third clue – and previously most likely a misinterpretation. In “Beatles Bop” the sound engineer Richard Moore has checked the sound picture of all recorded songs from that first session. He claims that the sound picture of “Nobody’s Child”, “Take Out Some Insurance On Me, Baby” and “Ain`t She Sweet” is different from those other four tracks - perhaps because of a different setting in the studio. His conclusion is that those three tracks were recorded on a different day (in other words: the second day of the session). I am no expert in those details and I can’t prove it, and, as stated above, still believe that one day was enough to record seven songs – but all three songs were not released shortly after the session, but more than two years later. Is it possible that they were mixed or (in case of “Ain`t She Sweet”) remixed much later to be included in “The Beatles’ First”, which resulted in a different sound picture than the songs mixed directly after the session?
And this leads to the final question: There is no known contract or receipt between either Bert Kaempfert and The Beatles nor Deutsche Grammophon and The Beatles for a financial compensation for “Nobody’s Child” or “Take Out Some Insurance On Me, Baby”!